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Impermanencia

by Rafael Pacha

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1.
Creeping creeps cover the floor In my dreams and in my soul Naked hands on the wall, looking for a sign to hold. Easy comes, easy goes Just the present in the hole Just an entrance to my home to feed me from your soul. Pilgrims on a long way through paths of lives, seeking for a glimpse to awake Foolish humans sleeping their lives, passing by like water to ice Seekers finding the light, touching the things to come, kneeling at the shrine of the sun Empty lives, empty hands, only the death, only the soil to come Feeling life under my own skin, switching channels inside my brain tv Creeping Creeps cover the floor In my dreams and in my soul Naked hands on the wall, looking for a sign to hold Easy comes, easy goes Just the present in the hole Just an entrance to my home to feed me from your soul
2.
3.
4.
The River 06:57
No one hears the silence of her scream Madness burnt the faith in all those tears When crying never solve this empty life. Now the woods are stained with blood Like a debt she has to pay Hope just made her lose her head. You took everything from me What am I supposed to do? Crying out if you could hear me Why? If I had to pay this debt Would I be rewarded then? While I cry if you can hear me Why? If there's no solution here I'll accept my fate in vain Giving you the essence of my body and soul. Desperation come with me Nevermind to eat or sleep. I'll come here to feed you until I feel I'm dying. Now they're mine Now they're mine You'll crawl away for life. As I slow down my dear I see this almost clear Can't rescue you from their hands Wait for me 'till I come This sadness all I have In heaven you'll be free Don't miss the hell right here I'll slowly disapear...
5.
6.
Proclama 07:00
7.
8.
Padre Teide 05:06
9.
Moonchild 03:34
10.
La Boda 04:30

about

2010's work, with several collaborations of Alicia Pacha, Edu Cunha (Arquemat) y David López (Blue Rondo), and with a cover of King Crimson's masterpiece "Moonchild" (Fripp, Lake, Giles, Sinfield & MacDonald, published by DGM Music)

credits

released January 3, 2011

A sign to Hold.
Alicia Pacha: Voice
Rafael Pacha: Lirics, composition, electric guitars, sinthesizers, hammond, Drums, electric bass.
Lirics:
Creeping creeps cover the floor
In my dreams and in my soul
Naked hands on the wall,
looking for a sign to hold.
Easy comes, easy goes
Just the present in the hole
Just an entrance to my home
to feed me from your soul.
Pilgrims on a long way
through paths of lives,
seeking for a glimpse to awake
Foolish humans sleeping their lives,
passing by like water to ice
Seekers finding the light,
touching the things to come,
kneeling at the shrine of the sun
Empty lives, empty hands,
only the death, only the soil to come
Feeling life under my own skin,
switching channels inside my brain tv
Creeping Creeps cover the floor
In my dreams and in my soul
Naked hands on the wall,
looking for a sign to hold
Easy comes, easy goes
Just the present in the hole
Just an entrance to my home
to feed me from your soul
El Viaje Blanco.
Song inspired by a travel through the snow, In

November 2009.
Eduardo Cunha: Orchestral arrangements, analogic sinthesizers, piano and percussions.
Rafael Pacha: Composition, Autoharp, mandolin, acoustic and electric guitars, electric bass, Darbuka, Bendir and Madal.
Fantasía en D menor.
Rafael Pacha: Composition, electric and synthesized guitars.
The River
Based on a original tale “El Rio”, published by “Monster” in Hispasónicos, for a thematic contest of compositions about the tale.
Alicia Pacha: Lirics and voice
Eduardo Cunha (“Arquemat”): Orchestral arrangements, analog sinthesizers, piano and percussions.
Rafael Pacha: Composition, electric and acoustic guitars, electric violin, electric bass and drums.
Lirics:
No one hears the silence of her scream
Madness burnt the faith in all those tears
When crying never solve this empty life.
Now the woods are stained with blood
Like a debt she has to pay
Hope just made her lose her head.
You took everything from me
What am I supposed to do?
Crying out if you could hear me
Why?
If I had to pay this debt
Would I be rewarded then?
While I cry if you can hear me
Why?

If there's no solution here
I'll accept my fate in vain
Giving you the essence of my body and soul.
Desperation come with me
Nevermind to eat or sleep.
I'll come here to feed you until I feel I'm dying.
Now they're mine
Now they're mine
You'll crawl away for life.
As I slow down my dear
I see this almost clear
Can't rescue you from their hands
Wait for me 'till I come
This sadness all I have
In heaven you'll be free
Don't miss the hell right here
I'll slowly disapear...
Learned by Osmosis.
“Sometimes we also learn by osmosis…” (R. Fripp).
Rafael Pacha: Composition, electric violin, acoustic and electric guitars, bass, sinthesizers, Drums, piano.
Proclama.
Rafael Pacha: Composition, electric and acoustic guitars, bass, Drums, Sinthesizers.
Padre Teide.
David López (Blue Rondo): Bass
Rafael Pacha: Composition, electric and acoustics guitars, Drums, Sinthesizers
Moonchild.
Cover of the wonderful piece of art by King Crimson.

King Crimson (Fripp, Lake, Giles, Sinfield & MacDonald): Composition.
Alicia Pacha: Voice.
Rafael Pacha: Electric and acoustic guitars. Electric violin, sinthesizers and bass.
Published by DGM Music.
La Boda.
Sometimes, a dream changes the cruel reality in an adventure, even in a hospital bed.
Rafael Pacha: Composition, acoustic and electric guitars, electric bass, piano, sinthesizers.

Acknowledgements: Inma for her patience and love, Alicia for putting up and be endured, Manoel, for his inspiration and friendship, Monster for his ideas, Edu for his inspiration, elegance, chemistry and know-how, David for his enthusiasm, and all the people of Hispasónicos for their follies, comments, votes and virtual laughter.
Tara, as well as she teach us to live, also taught us to die.

Recorded at The Basement between October 2009 and June 2010.

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Rafael Pacha Córdoba, Spain

Cosecha del 61, con mas de 40 años dedicado a esto de la música. He trabajado en los estilos que me han gustado,
y he efectuado algunas colaboraciones (Javier Paxariño, Alain Piñero, Manoel Macía,
Kimmo Pörsti, Last Knight, The Samurai of Prog, The Guildmaster...), pero siempre bajo la premisa de que lo que compongo guarde el máximo
respeto por la Música (sí, con M grande...).
... more

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